吉奥乔·阿甘本（Giorgio Agamben）（1942～）意大利著名政治哲学家、思想家；任欧洲研究生院（EGS）巴鲁赫·德·斯宾诺莎教授、意大利维罗拉大学美学教授、巴黎国际哲学学院哲学教授，并在德国杜塞尔多夫市海涅大学以及美国多所大学任客座教授，包括加州大学伯克利分校、圣克鲁斯分校、西北大学等。重要著作有《未来共同体》（The Coming community，1993年）《牲人：主权与赤裸生命》（Homo Sacer：Sovereign Power and Bare Life，1998年）、《例外状态》（State of Exception，2005年）等。阿甘本在欧陆哲学传统和人文历史语境中，在对未来共同体的想象性建构中，展开生命、政治、文学、艺术和宗教领域的全面探讨。玄妙深奥的语言风格、融会贯通的思想体系、切实深刻的现世关注，使他成为当今最...(展开全部)

吉奥乔·阿甘本（Giorgio Agamben）（1942～）意大利著名政治哲学家、思想家；任欧洲研究生院（EGS）巴鲁赫·德·斯宾诺莎教授、意大利维罗拉大学美学教授、巴黎国际哲学学院哲学教授，并在德国杜塞尔多夫市海涅大学以及美国多所大学任客座教授，包括加州大学伯克利分校、圣克鲁斯分校、西北大学等。重要著作有《未来共同体》（The Coming community，1993年）《牲人：主权与赤裸生命》（Homo Sacer：Sovereign Power and Bare Life，1998年）、《例外状态》（State of Exception，2005年）等。阿甘本在欧陆哲学传统和人文历史语境中，在对未来共同体的想象性建构中，展开生命、政治、文学、艺术和宗教领域的全面探讨。玄妙深奥的语言风格、融会贯通的思想体系、切实深刻的现世关注，使他成为当今最...(展开全部)

How and why did experience and knowledge become separated? Is it possible to talk of an infancy of experience, a “dumb” experience? For Walter Benjamin, the “poverty of experience” was a characteristic of modernity, originating in the catastrophe of the First World War. For Giorgio Agamben, the Italian editor of Benjamin’s complete works, the destruction of experience no longer...(展开全部)

How and why did experience and knowledge become separated? Is it possible to talk of an infancy of experience, a “dumb” experience? For Walter Benjamin, the “poverty of experience” was a characteristic of modernity, originating in the catastrophe of the First World War. For Giorgio Agamben, the Italian editor of Benjamin’s complete works, the destruction of experience no longer...(展开全部)

In response to an overwhelming resurgence of interest in recent years in the work and life of Walter Benjamin, along with a marked increase in the availability of Benjamin's own work (both in the form new translations and new editions of already available texts), this is a timely reappearance of Walter Benjamin's Philosophy - Destruction and Experience - an influential and auth...(展开全部)

The Archive Effect: Archival Documents and the Cinematic Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer's experience of and...(展开全部)

Augustus and the Destruction of History explores the intense controversies over the meaning and profile of the past that accompanied the violent transformation of the Roman Republic into the Augustan principate. The ten case studies collected here analyse how different authors and agents (individual and collective) developed specific conceptions of history and articulated them ...(展开全部)

The director of the famed Bodleian Libraries at Oxford narrates the global history of the willful destruction-and surprising survival-of recorded knowledge over the past three millennia. Libraries and archives have been attacked since ancient times but have been especially threatened in the modern era. Today the knowledge they safeguard faces purposeful destruction and willful ...(展开全部)

The director of the famed Bodleian Libraries at Oxford narrates the global history of the willful destruction-and surprising survival-of recorded knowledge over the past three millennia. Libraries and archives have been attacked since ancient times but have been especially threatened in the modern era. Today the knowledge they safeguard faces purposeful destruction and willful ...(展开全部)

卢卡奇（1885-1971），匈牙利哲学家、美学家、文学理论与文学史家。毕业于布达佩斯大学。1923年发表的《历史和阶级意识》一书，被公认为“西方马克思主义”的第一部代表作。其主要著作有：《心灵和形式》、《海德堡艺术哲学》、《青年黑格尔与资本主义社会》、《存在主义还是马克思主义？》、《美学》等。